The architects of SLAVONIC EUROPE think globally, they act nationally, digitally and network-based. They draw on well defined objects and chose concrete examples. They include into their scope of activity all creative domains, which push the civilisation further and constitute together a cultural space based on concrete phenomena linked by mind & emotion: ΓΝΩΘΙ ΣΕΑΥΤOΝ – Know thyself – a process of self-awareness takes off and results, eventually, in the essential civilisatory dimension of HUMANITY as mutual respect and mutual solidarity among human beings.
Nobody can create anything lasting and reliable without existing roots, ardent devotion and human affection: Without affection there is no devotion and without devotion there is no durability. Devotion and affection, however, can only arise where human mind encounters concrete objects rooted in the material world. The only answer to this causal chain is CULTURE.
Culture comprises all of them: It builds an arch between roots, devotion and affection via its multiple appearances in form of Arts, Science and Innovation – an iridescent unity which mirrors the variety and plenty of life. An arch of suspense between mind & emotion. The most complete and powerful appearance of culture, however, is ART.
It is for this reason that the SLAVONIC REVIVAL in the 21st century starts with a central event, which will be yearly recurrent and which will represent the artistic catalysator of the rise of the Slavs in Europe as well as a bridge to other cultures and nations – an artistic focus and unique opportunity for dialogue leading to the trinity of Arts, Science and Innovation: